30 November 2012
Briefly: Value and Visibility
A person's notoriety and importance have no direct relationship.
20 November 2012
Mindful Moment No. 2.
Last night a friend of mine decided to crash on the floor of my room to finish a paper, which was due at 8am today. (She got it in, thankfully.) It was for a systematic theology class and she was writing about the Trinity. We had talked about it before - had pondered the impossibility of trying to explain a three-personed, one-natured God - and she was a little frustrated by it all. But long after the point when I would have began yanking at my hair, she still had a fresh stream of wonder flowing through her thoughts. Just think, she exclaimed at one point, that because of Jesus Christ's work on the cross God has invited us into the eternal love and completely fulfilled community that the three persons of the Godhead shared from time before time. Although we have nothing to offer Him, no basis upon which to stand before Him, He decided to send His only Son for us - a member of the Trinity submissive to death so that we finite creatures could live with Him and in Him. As she went on, she began to grow inarticulate with astonishment, and ended with "Oh! oh!" as though words had become inadequate to express the magnitude of the thought. And in that moment I was struck by the realization that in the wonder and joy of those wordless syllables there was more wisdom - and more knowledge of reality - than in any amount of vain droning from an unbelieving philosophy.
17 November 2012
Briefly: On the Human Condition
To be human is to be in process.
11 November 2012
Mindful Moment No. 1.
We often chart life in terms of its large phases or landmarks, but just as single bricks make up the building I live in, single moments make the life I'm living through.
It has always been a conundrum to me why some students here describe our library as a pit of despair. (The larger floor is in the basement.) While I understand that desperate late-night sessions drafting papers on issues in theology can taint a space with misery, I have always found myself guarded by my abiding love of libraries in general. Unlike my unfortunate fellow students, I associate libraries with light and life, not with drudgery and distress.
Part of the magic of the C. Library, to use its initial, is its media room. I suppose when you see those words, dear reader, you think of a space full of computers, possibly with a mediocre CD and DVD collection stockpiled against one wall. Not so this media room. The first layer is CDs and DVDs, yes, but probe a little further and you'll find - gasp - cassette tapes and VHS tapes. The adjoining room even has equipment to play them. But venture all the way to the back wall, past the music scores and the study recordings, and you'll find a true treasure: a whole row's worth of vinyl records.
I had discovered this very early on - when I visited the school. But I had been keeping it tucked away in the back of my mind, in a sort of vault of Special Things to Treat Myself With. The other day, with the stress of a midnight deadline before me, I decided to bring the knowledge out of the vault. I wound my way toward the media room with a strange lightheartedness, despite my deadline, and established myself by a venerable stack of old Denon stereo equipment with a turntable perched on top. I scurried to the records and surveyed the shelves with something of the sense of a child at the Thanksgiving table. Finally I pulled out a record that said OCKEGHEM on the spine. Good old early music composer, Ockeghem, about whom I knew nothing. Perfect place to start.
It took me several minutes to figure out the turntable. Remarkably, I had used one before, since my parents used to have one hanging around the house, but it had been years since I'd learned to use it. I turned on all the power, channeled the sound to the right pair of headphones, and slipped the record out of its sleeve. It hung from my hand, glossy black and refreshingly tangible, perhaps untouched for years until this moment. I placed it carefully onto the turntable, used the Lift button to raise the needle, started it spinning, and hit the Lift button again to drop the needle.
I watched it descend, lightly hit the grooves in the vinyl, and begin its labyrinthine journey. A moment's silence - and then a voice, clarion and supple, bloomed into my headphones out of the past, and my heart filled with awe.
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